Q and A: Pamela Erens Talks About Writing for Young Adults, Chicago, and 'NaNoWriMo'
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Matasha was my first major experience of discovering plot as I wrote.
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Q and A: Paul Vidich on Writing Espionage Novels, the CIA, and Why He Likes Strong Women
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The Conventions of the Espionage Thriller “Give You Space to Explore Human Frailties”
Read MoreREVIEW: Robert Caro, Pre-Eminent Biographer, Tells Us How He Does What He Does
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On Researching, Writing, and Coming to Terms with His Great Subject: Power
Read MoreQ&A: Jeremy Wilson on Short Stories--Including Why He Likes to Write Fast
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And the Importance of Having a Character Move Through the World With a Mission
Read MoreQ&A: Author Robert Dugoni Talks About 'The Extraordinary Life of Sam Hell'
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A Coming of Age Novel, with a Protagonist Who Was Bullied for Being Different
Read MoreREVIEW: How to Be a Writer? Pulitzer Prize Winner Richard Russo Tells All
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An Eye-Opening Series of Essays About Writing and the Writing Life
Read MoreQ&A: Meghan Kenny on 'The Driest Season,' a Searing Novel About a Father's Suicide
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And on Independent Women, the American Midwest, and Her Advice to New Writers
Read MoreQ&A: Julia Keller on the Craft of Mystery-Writing (Pro-Tip: Coffee, Coffee, and More Coffee)
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Balzac Reputedly Drank 14 Cups a Day -- Keller Says, Double That
Read MoreQ&A: Lili Wright Talks About Plotting Thrillers, Writing About Mexico, and Turning Truth into Fiction
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And Why She Finds Male Characters Easier to Write than Female Ones
Read MoreVIDEO: On John Grisham's Birthday, This Is Him Talking About How He Wrote, and Sold, His Novel 'The Firm'
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It all started with a law school friend who interviewed with a law firm
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